“No one concert this group performs is conventional… One cannot deny PHOENIX’s superb musicianship in whatever it tackles. Those of us looking for first class performance will never be disappointed by PHOENIX. It has set new standards for Early Music performance in Israel.” Go Jerusalem
"Ensemble PHOENIX: for the ones looking for baroque programs with originality, and it means that you can expect quality." Yedioth Aharonoth
Myrna Herzog plays and introduces different bowed instruments which were in use in the Middle Ages (vielle), the Renaissance (rabel or rabeca - still used as a folk instrument) and the Baroque (baroque cello, bass viola da gamba and quinton).
Music from the streets and palaces of Baroque Latin America, the fascinating result of a cultural fusion. This baroque sound unique in the world is infused with the Spanish elegance, the prosody and ethnic dance of Indians, the contagious rhythms of Africans, and the flavor of "the streets" celebrations.
A taste of different worlds revolving over the chaconne, including 2 works newly written for PHOENIX by Israeli composers Jonathan Keren and Uri Brener, together with works by György Ligeti, Biagio Marini, Merula, Marais, Purcell, Couperin, Haendel and Gustav Holst.
A concert for the whole family, a true party joining Israeli ensemble PHOENIX and their Italian guests Concerto de’ Cavalieri. The family will have the opportunity to experience the tradition of the Italians and how it can be part of the Israeli culture. Works by Corelli, Vivaldi, Tartini and Torelli, presented by Avigail Arenheim.
A viola da gamba solo recital by Myrna Herzog in Campos de Jordão, S. Paulo, Rio de Janeiro and London: The recital displays a diversity of genres, revealing the viol’s amazing palette of colors. It brings together pieces that, regardless of the time or place they were written, speak straight to one's heart.
The program is fully devoted to Jean-Philippe Rameau's Pièces de Clavecin en Concert, the sole chamber music work by the great composer. Imagination, refinement, pathos and boldness make those works a delight and a privilege to hear.
What image is more powerful than the biblical Great Flood for a composer from a city ravaged by earthquakes and tidal waves? In 1682, this was the theme that inspired Messina resident Michelangelo Falvetti (1642-1692) to write his masterpiece oratorio Il Diluvio Universale. This is the Israeli premiere of Falvetti's oratorio, full of Sicilian sensuality and expressivity.